Which film suffered this ignominy? White on Rice (Official Website). It was completely undeserved since the film was quite amusing. The film did screen at 9:15 PM on a Sunday evening but still it was odd that no one else showed up. The film screened at the Camera 3 Cinema in downtown San Jose. I was expecting some San Jose State students to show up.
It was an anomaly that even I was in the audience. I wanted to see the film when it was showing in San Francisco but my procrastination cost me again. When I saw that it was playing in San Jose, I waffled as to whether I should drive down there. It's about a 90 mile round trip. Also, the film was only screening at 1 PM and 9:15 PM. Around 8 PM, I was still ambivalent about driving down there but I didn't have anything better to do and the film received a good review in the Chronicle. If not for my procrastination and a weak television schedule, I wouldn't have been in the audience either. I wonder how many films screen to empty auditoriums.
On Saturday night, some of the cast and crew were in attendance. I can only hope that the turnout was better.
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White on Rice (2009) screened at this year's SFIAAFF. The quirky comedy revolves around Jimmy, a 40 year Japanese man. Divorced, aimless with a less than a McJob and living with his sister's family (sleeping in bunk beds with his 10 year old nephew), Jimmy doesn't have much going for him. He is a disaster with women but now he has heart set on his niece (by marriage not blood).
I won't bore you with the rest of the plot because this is a film filled with silly vignettes about our man-child protagonist. Let's see - Jimmy "borrows" his brother-in-law's car but locks himself out (he solves the problems with a large rock), he makes a mess while cooking which results in his brother-in-law slipping and impaling himself with a kitchen knife and it's implied he gives his niece a wedding gift of matching bra and thong panties. The cast embraces the material with gusto - Hiroshi Watanabe as the sweet but bumbling Jimmy, Nae as his long put-upon sister, Mio Takada as the grouchy brother-in-law, Lynn Chen (from Saving Face) as the trenchant niece and Justin Kwong as the quiet, unsupervised prodigy.
There was no particular reason why the characters are Japanese - Watanabe, Nae and Takada converse in Japanese with each other. Maybe the man-child character smacks of some Asian male stereotype. Many of the scenes elicited a guffaw from the entire audience.
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