Monday, February 29, 2016

The Puzzle Within the Castro Theater's March 2016 Calendar

For the third consecutive month, there is not a puzzle in the Castro calendar.  As the saying goes, once means nothing and twice is a coincidence but thrice is a pattern.

Cinequest runs from March 1 to March 13 and CAAMFest runs from March 10 to March 20 so I won't have much time to drop by the Castro until the final part of the month.

Among the Castro highligts:

Elliot Lavine is back with Pre-Code films on Wednesday nights. 

Akira Kurosawa's Ran is paired with A.K. a documentary biopic on March 6.

A Sean Connery & Pierce Brosnan series from March 17 to 22 with an emphasis on their James Bond films.

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The March series I am most excited about is not a Cinequest or at the Castro but instead at the Roxie.  From March 21 to 31, the Roxie is presenting Greenaway Week with screenings of The Belly of an Architect, Drowning by Number, The Baby of Macon and The Cook, The Thief, His Wife & Her Lover.  Greenway's latest film Eisenstein in Guanajuato plays from March 25 to 31. 

It was The Cook, The Thief, His Wife & Her Lover (which I saw in a Los Angeles theater in the summer of 1989) that turned me on to art house films.

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Castro Theater Calendar - March 2016

Sunday, February 28, 2016

The Puzzle Within the Castro Theater's February 2016 Calendar

Nothing like posting the February calendar on the second to last day of the month. I'm lucky it's a leap year.

I saw three films at the Castro this month.

Bridge of Spies starring Tom Hanks & Mark Rylance; directed by Steven Spielberg; (2015) - Official Website
Lady Sings the Blues starring Diana Ross; with Billy Dee Williams & Richard Pryor; directed by Sidney J. Furie; (1972)
Jo Jo Dancer, Your Life is Calling starring and directed by Richard Pryor; (1986)

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With Bridge of Spies I have seen six of the eight films nomination for the Oscar in the Best Picture category.  The two I am missing are Brooklyn & The Revenant.

What to say about Bridge of Spies?  It's another solid outing by Spielberg and Hanks.  I've never been a particular fan of either although they both have strong filmographies.  My favorite Spielberg film is Jaws which is over 40 years old.  My favorite Tom Hanks performance is Big which was almost 30 years ago.  Spielberg and Hanks have collaborated at least four time as director and actor (other titles are Saving Private Ryan, Catch Me If You Can and The Terminal) so they must have a simpatico.

Like many of their films (including their three previous collaborations), I'm mild about Bridge of Spies and I can't really say why.  Based on a true story, Hanks plays James Donovan, a NYC lawyer in the 1950s & 60s.  Donovan defends Rudolf Abel (Mark Rylance) who was a Soviet spy.  Donovan defends him to the best of his ability but is ultimately unsuccessful.  While Abel languishes in prison, Donovan is contacted Allen Dulles (Director of the CIA) to negotiate a prisoner exchange.  Not officially sanctioned by the US government, Dulles asks Donovan to negotiate a exchange as a private citizen - Abel for captured U-2 pilot Gary Francis Powers.

The film is divided into two parts - the arrest and trial of Abel and Donovan's negotiations with Soviet & East German quasi-officials in East Berlin soon after the Berlin Wall went up.  Tense, occasionally humorous and focusing on the basic perseverance, decency & humanity of Donovan, Spielberg & Hanks do what they do best; which is to create a empathetic character for the audience to root for.

I can't fault the performance or direction but like many of their films, Bridge of Spies lacks that ineffable quality that elevates a film to greatness or even memorable.  The Martian and Mad Max have a certain cinematic swagger about them which instantly registers with me and I know that I will recall certain scenes & dialogue years in the future.  Bridge of Spies lacks that.

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Lady Sings the Blues is a biopic with Diana Ross as Billie Holiday.  Putting aside that the film is Ross' first major acting role, she gives a powerful performance as Holiday.  Ross was nominated for a Best Actress Oscar for her performance (she lost to Liza Minnelli in Cabaret).  BTW, two of the five Best Actress nominees and one of the five Best Actor nominees were African American that year.

Anyway Lady Sings the Blues is showcase for Ross (it was produced by Berry Gordy, her record producer, lover and mentor).  Ross shows considerable acting range playing the tragic singer Holiday.  Confident despite being raped, discriminated against and addicted to heroin, Holiday's downward trajectory is impressively performed by Ross...and Ross does a great job singing Holiday's songs.  Richard Pryor holds his own as Holiday's unnamed but steadfast accompanist credited as Piano Man.

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Jo Jo Dancer, Your Life is Calling is a film I remember from the summer I graduated high school.  I didn't see it but I do recall it.  Reminding me of All That Jazz, Jo Jo Dancer (Richard Pryor) is a thinly disguised autobiographical character who begins the film by nearly burning himself to death while freebasing crack cocaine.  In fact, the film devotes quite a bit of screen time about the process which is not surprising given that Richard Pryor directed the film and almost burned himself to death freebasing crack cocaine a few years before making Jo Jo Dancer.

Pryor turns a critical eye on himself (technically Jo Jo Dancer, fictitious stand-up comedian) and the results are impressive; both Pryor performance as an actor and director.  Largely a confessional, Jo Jo Dancer appears to expose Pryor's shortcomings for all too see - born and raised in his grandmother's whorehouse, failed marriages, drug use and the fateful freebasing incident which is portrayed as a suicide attempt in the film.  Jo Jo Dancer is very dark film which is balanced by Dancer/Pryor's stand-up routines.  Pryor uses the alter ego or disembodied spirit of Dancer as the guide for the audience.  Constantly providing commentary on the events, Dancer serves as both narrator and anti-hero.

Paula Kelly (Sweet Charity) as the stripper who takes young Jo Jo under her wing and Barbara Williams & Debbie Allen as wives #2 and #3 are memorable.

I was moved by the film and felt almost a kinship to Pryor which I had never felt before.  That's my measuring stick - after the viewing I went from being mostly disinterested to sympathetic towards Pryor.

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Castro Theater Calendar - February 2016

Monday, January 4, 2016

Black Mass

Last month, I saw Black Mass at the Castro Theater.

Black Mass starring Johnny Depp & Joel Edgerton; directed by Scott Cooper; (2015) - Official Website

A stylish 1970s period piece about Boston gangster Whitey Bulger (Johnny Depp), Black Mass reminded me of Donnie Brasco, American Hustle & American Gangster.  Based on the true story of Bulger's co-opting his FBI handler into his accomplice.

South Boston gangster Whitey Bulger is surviving in the early 1970s until childhood acquaintance John Connolly (Joel Edgerton) returns to town.  Connolly is now an FBI agent and he proposes that Whitey become an FBI informant.  Whitey can feed Connolly information about the Patricia Crime Family, a rival criminal gang.  Connolly can bust the organized crime family while Whitey benefits from having his main rival gang busted up as well as from having FBI protection.

From the start, Connolly seems more eager to be Whitey's confidante and friend than his FBI handler.  Bulger is suspicious of the arrangement and loathes the prospect of being an informant even if he would benefit from it.  Ultimately, Whitey reluctantly accepts the arrangement but quickly turns Connolly's hero worship to his advantage.  When Whitey's son dies of Reye's Syndrome,  the already violence prone gangster loses much of his sense of self-control and Connolly willingly abets him at every turn.

While Connolly is covering up Bulger's criminal activities and harassing the Italian Mob, Bulger consolidates his power in Boston and gets involved in a money laundering scheme involving a professional jai alai league.  At times, it sounds too outlandish to be true but as far as my research shows, Black Mass gets the major facts correct.  Ultimately, Connolly's superiors become suspicious of his association with Bulger while Bulger's homicidal tendencies create plenty of enemies who are willing to turn state's evidence.

As usual, Depp disappears into the role with his balding pate and 1970s clothing.  However, Australian Joel Edgerton (The Square and Animal Kingdom) truly transforms himself physically and verbally by successfully affecting the Boston accent.  Benedict Cumberbatch has a nice turn as Whitey's younger brother & politician Billy Bulger.  Jesse Plemons is also memorable as a hardscrabble soldier in Whitey's Winter Hill Gang.

Black Mass is a solid film but now that it's been a month since seeing it, I have to admit that it wasn't particularly memorable or remarkable.

Thursday, December 31, 2015

2015 By the Numbers

I saw 336 "films" on a theater screen in 2015. For these purposes, a film is not just a feature length film but also includes programs (typically from film festivals) which consist of multiple short films. If it was categorized as a single program in a festival guide, it counts as one film entry on my list. Conversely, I saw several programs which consisted of a short film and a feature length film. For my counting purposes, those are counted as a single film entry.

My annual film totals for the past few years are:

2010 - 385 films
2011 - 406 films
2012 - 436 films
2013 - 397 films
2014 - 388 films
2015 - 336 films

For the six years listed, 2015 had the largest year-on-year change of 52 films.  2015 was the first year since 2010 that I did not average one film per day.

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The top 10 venues in which I saw films in 2015 were:

1) Castro Theater (88 films) - primarily the result of Noir City (19 films) and the SF Silent Film Festival (21 films over two festivals).  The Castro Theater has been my #1 film-going destination for three years in a row and four of the past five years.

2) Roxie Theater (55 films) - 11 films from A Rare Noir is Good to Find programmed by Elliot Lavine and 21 films between IndieFest & DocFest.  I'm counting the Roxie and Little Roxie as the same for these purposes.  The Roxie Theater has been my #2 film-going destination three years in a row and four of the past five years.

3) Vogue & Balboa (42 films) - 37 films at the Vogue and 5 at the Balboa.  The Vogue count was mainly due to the Mostly British Film Festival (17 films), the San Francisco Film Society's (SFFS) Hong Kong Cinema (6 films), SFFS' French Cinema Now (4 films) and SFFS' New Italian Cinema (4 films).  The Vogue & Balboa are owned and operated by the same people.

4) Camera Cinemas (29 films) - 25 films at the Camera 12, 3 films at the Camera 3 and 1 film at the Camera 7 Pruneyard.  I watched 24 films at the Camera 12 as part of Cinequest.

5) Landmark Theaters (18 films) - 9 films at the Opera Plaza, 8 films at the Clay and 1 film at the Aquarius.  I saw four films at the Clay as part of the 2015 San Francisco International Film Festival.

6) Four Star (15 films) - Mostly foreign films that weren't playing anywhere else or films late in their distribution run.

7) Kabuki Cinemas (14 films) - 9 films from SF International Film Festival (SFIFF) & 4 films at CAAMFest.

8) Crest Theater (11 films) - all films from the Sacramento French Film Festival.

9) California Theater in San Jose (10 films) - all films from Cinequest.

10) Stanford Theater and Viz (9 films each) - at the Viz I saw 8 films from the Japan Film Festival of San Francisco and 1 film at CAAMFest.  The Stanford was all rep house programs from their regular schedule.

The top 10 venues accounted for 89% of the films I saw this year.

Honorable Mentions:  YBCA (6 films) and the Sequoia Theater in Mill Valley (5 films).

I visited the Camera 7 and Alamo Drafthouse for first time in 2015.

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On 208 days in 2015, I saw at least one film. The 2015 breakdown is:

On 157 days, I saw zero films.
On 118 days, I saw one film.
On 67 days, I saw two films.
On 11 days, I saw three films.
On 9 days, I saw four films.
On 3 days, I saw five films.

On both February 27 (Friday) and February 28 (Saturday), I saw five films at Cinequest.  On May 30 (Saturday), I saw five films at the San Francisco Silent Film Festival.

Breaking down the number of films by month:

January - 33 films
February - 46 films
March - 43 films
April - 28 films
May - 35 films
June - 35 films
July - 21 films
August - 29 films
September - 8 films
October - 19 films
November 27 films
December - 12 films

Comparing 2014 vs. 2015 to see when the large decrease occurred:

January (2015 minus 2014):  +1
February:  +5
March:  -11
April:  +2
May:  -10
June:  +10
July:  +1
August:  -1
September:  -13
October:  -7
November:  -11
December:  -17

I was three films behind my 2014 pace as of August 31, 2015.  In addition to being busy at work, September was the month when I decided my father's living situation could not continue and started taking actions to have him put in an assisted living facility.  My father passed away in October and during the last two months of the year, I traveled frequently to Las Vegas to settle his estate.

Breaking down the number of films by day of the week:

Sunday - 67 films
Monday - 41 films
Tuesday - 36 films
Wednesday - 41 films
Thursday - 32 films
Friday - 45 films
Saturday - 74 films

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The PFA closed on August 2, 2015.  I only saw one film at the PFA in 2015.  The PFA reopens at their new location on February 3 with Ingmar Bergman's The Seventh Seal.  The new location is 2155 Center Street in Berkeley.

After a long delay, the Alamo Drafthouse New Mission opened in December 2015.  Only one auditorium has been in use but starting tomorrow the other four auditoriums become operational.

2015 is the first year I missed all screenings of Another Hole in the Head.  It coincided with one of my trips to Las Vegas.

Wednesday, December 30, 2015

The Puzzle Within the Castro Theater's January 2016 Calendar

The Castro Theater's January calendar has been posted.  There is no puzzle this month.  The theater is closed January 4 and the program for January 18 (Martin Luther King Jr. Day is still TBA).

The schedule is dominated by 10 days of Noir City, 6 days of Sketchfest and 4 days of Berlin and Beyond.  Alfred Hitchcock's Vertigo makes up half of a double bill for the first three days of January.

Other highlights include Spectre (January 5), The Martian (January 11 & 12) and the seemingly bi-monthly screening of Blade Runner (January 13).

Among the non-festival films which I am considering seeing are:

Trouble in Mind (January 13), F for Fake (January 19) and a double bill on February 4 - Lady Sings the Blues and Jo Jo Dancer, Your Life is Calling.

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Castro Theater Calendar - January 2016

Monday, December 28, 2015

January & February 2016 Film Festivals

As 2015 winds down, the first part of 2016's film festival schedule becomes finalized.

From January 1 to 7, the Smith Rafael Film Center presents For Your Consideration - films from 15 countries which have been submitted to the Academy of Motion Picture Arts and Sciences for consideration in the Best Foreign Language Film category.

The 20th Berlin & Beyond Film Festival will be held from January 14 to 17 at the Castro Theater and January 18 to 20 at the Goethe-Institut.  The schedule of films has not yet been posted.

Noir City will be held at the Castro Theater from January 22 to 31.  The schedule has been posted and includes quite a few films I have already seen including Rear Window, Humoresque, In a Lonely Place, Young Man With a Horn, Mickey One, Scarlet Street and The Red Shoes.

In it inaugural year, the Crest Theater in Sacramento is presenting the Noir Nights Film Festival on January 15 & 16.  The program consists of five noir classics - A Touch of Evil, Mildred Pierce, The Killing, Out of the Past and Leave Her to Heaven.  The program makes a point of stating that Mildred Pierce and Leave Her to Heave will be screened in 35 mm.  I didn't know the Crest had that capability.

The Mostly British Film Festival is screening from February 18 to 25 at the Vogue Theater.  The program has been posted and includes such classics as Night and the City, Rebecca, The French Lieutenant's Woman & The Prime of Miss Jean Brodie.

The San Francisco Independent Film Festival (SF IndieFest) is screening from February 11 to 25.  If past years are any indication, the primary venue will be the Roxie Theater.  IndieFest is expanding their merchandise line.  They are selling a series of T-shirts made to look like the San Francisco Giants uniforms.  The name on the back is chosen from 10 famous film directors and the number is the two digit year in which they made their first feature film.  Coppola 62 refers to Tonight for Sure which Francis Ford Coppola directed in 1962.  The 10 directors whose names grace the shirts are Coppola, George Kuchar, David Lynch, John Cassavetes, Jim Jarmusch, Warner Herzog, Ava DuVernay, Richard Linklater, Gus Van Sant & Quentin Tarantino.  Shirts can be purchased on the SF IndieFest website.

The film schedule for IndieFest has not been announced yet.

On February 3, the PFA reopens for regular film programming.

Sunday, December 27, 2015

Star Wars: The Force Awakens

I ventured back to the Alamo Drafthouse on Christmas Eve to see Star Wars:  The Force Awakens.  I saw the 2D version.

Star Wars:  The Force Awakens starring Daisy Ridley, Adam Driver, John Boyega & Harrison Ford; with Carrie Fisher, Oscar Isaac & Mark Hamill; directed by J.J. Abrams; (2015) - Official Website

Before I write about the film, I should mention I have mixed feeling about the food.  Having the chips & queso at the Drafthouse recently was more significant than I could have imagined.  The flavor of the queso brought back memories of my youth...in hindsight it was almost subconscious.  I found myself craving the queso in the days after having it.  I ordered the chips & queso during the Star Wars screening.  It tasted better than it had the previous week.  I'm not sure if they modified the recipe or if my craving was the reason behind the improved taste but the queso was more flavorful.  My only complaint is that there are too many small chips or crumbs served with the queso.  You need larger chips so you can scoop out the queso without it touching your fingers.  I also ordered a sausage & fennel pizza which exceeded my expectations.

The auditorium was near sellout.  Service was slow which is to be expected.  It seemed as though the people around me got their food much sooner than me and the pizza was closer to lukewarm than piping hot which indicates it might have sat on the kitchen counter for awhile.  I had to ask three times to get ice water.  Also with a full house and more food/drink orders, the servers were more conspicuous.  On more than one occasion, they distracted me with their movement.

It's unfair to judge a restaurant on their service and food during its opening weeks so I'll extend that courtesy to the Alamo Drafthouse and reserve final judgment until a future visit.

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I guess I should state my Star Wars bona fides upfront.  I prefer, without hesitation, Star Trek to Star Wars.  I was less than month shy of 9 years old when Star Wars came out.  I remember the long lines and the hype.  My parents bought me a Star Wars T-shirt and I remember having playground conversations about the film.  Long before Star Wars came out, reruns of Star Trek were being played on television.  My parents didn't buy a VCR until 1982 or 1983 - five or six years after Star Wars came out.  The original fanboys cut their teeth on repeated viewings of Star Wars on VHS tapes which was largely unavailable to me.  In fact, I don't recall being friends with any hardcore Star Wars (or Star Trek) fans.  All through that period and extending to present day, I watched Star Trek (Saturday nights at 9 PM MeTV) and Star Trek The Next Generation (no set schedule but shown frequently on BBC America) episodes when they come on TV.  I rarely see Star Wars on television.

I guess that serves as an apologia for what I'm about to say - I wasn't that impressed with The Force Awakens.  The plot borrow liberally (or pays homage) to the original 1977 film.  Of the new cast, there are three main characters - Rey (Daisy Ridley), Kylo Ren (Adam Driver) and Fin (John Boyega).  Kylo Ren (the most prominent villain) is by far the most interesting character and without giving away too much of the plot, he is the anti-Luke Skywalker.  Rey is a scavenger on a desert planet; her backstory is deliberately kept vague but she has an abiding sense of justice and is Force-sensitive as they say.  Fin is a stormtrooper-cum-rebel who starts the film as war weary and even frightened but becomes quite fierce by the end.

Of the original cast, only Han Solo (Harrison Ford) has significant screen time.  Princess Leia now known as General Leia Organa (Carrie Fisher) only has a few scenes and Luke (Mark Hamill) only shows up in the final scene with no dialogue.  Chewbacca (Peter Mayhew) is attached to Han's side throughout although I read that Mayhew had to have a stunt double for much of the film because of his bad knees.  C3PO has a few scenes while R2D2 is inactive until the close to the end.

Beyond a few too many similarities between the plotw of the 1977 and 2015 films, what were my issues?  I found Rey & Fin to be overly contrived.  Even Kylo Ren borrowed heavily from Darth Vader.  Their characters seemed to fit a blueprint than being realistic & organic characters.  The film seemed to need the characters to behave in certain ways to advance the plot and it became predictable.  Perhaps that is the gist of the matter - the film was too predictable once you picked up on the parallels to the original film.

The older Han Solo is the most interesting character in the film which doesn't bode well since this trilogy is about a new generation.  Imagine if Ben Obi-Wan Kenobi had been the most interesting character in Star Wars.  Maybe I felt that way because I know Han Solo's backstory and have had 35+ years to revisit the film and its characters.

Actually, the plot is a little problematic.  The Rebel Alliance won the war in Return of the Jedi but in The Force Awakens, they are referred to as the Resistance and the military power is controlled by the First Order which has tapped into the Dark Side of the Force.  How the winners of the war came to be the insurgents 30 years later was not explained.

I could nitpick the film but the ultimate litmus test is that I became bored with the film at various points.  I won't go so far as to say that I didn't like the film.  If nothing else, the scenes with Harrison Ford and Adam Driver make the film worthwhile but it seemed a bloated at 2 hours, 15 minutes.  I wonder if the film could stand on its own merits if it was the first entry in the Star War series and not the seventh.